a beautiful disaster

  1. looneytoonz242:

elizabitchtaylor:

Dorothy Dandridge and Harry Belafonte in Carmen Jones (1954)

LOVED THIS MOVIE!!!

    looneytoonz242:

    elizabitchtaylor:

    Dorothy Dandridge and Harry Belafonte in Carmen Jones (1954)

    LOVED THIS MOVIE!!!

    (via color-me-bad)

  2. madametoutnnoire:

criminallyinnocent:

The Youth is Strong. Society is Weak.

each one, teach one

    madametoutnnoire:

    criminallyinnocent:

    The Youth is Strong. Society is Weak.

    each one, teach one

    (via pullmydreads)

  3. (via pullmydreads)

  4. (Source: aprill-showers, via pullmydreads)

  5. (Source: everydaylifeasiseeit, via pullmydreads)

  6. lifesentences:

queennubian:

transartorialism:

(via Dark Chocolate Chip Skillet Cookie | How Sweet It Is)
i’m done.  i give up.

Sorry for all the porn my dash guys….I’m lonely….

LMBO at the bold. 

    lifesentences:

    queennubian:

    transartorialism:

    (via Dark Chocolate Chip Skillet Cookie | How Sweet It Is)

    i’m done.  i give up.

    Sorry for all the porn my dash guys….I’m lonely….

    LMBO at the bold. 

    (via color-me-bad)

  7. 5thdimensionresident:

did-you-kno:

Source

This is a truly fucked up country we live in

    5thdimensionresident:

    did-you-kno:

    Source

    This is a truly fucked up country we live in

  8. C’est moi

    C’est moi

  9. gdolboys:

    I’ll post this now that everyone’s awake.  Here’s an anthem: Big K.R.I.T. - “I Got This”

    When you have a master producer, like KRIT, Pharrell, or Kanye, his/her flow precisely complements the track.  In the first twenty seconds of this song, KRIT wants you to hear the bass line.  No, he wants you to feel the bass line.  His rhymes in no way intrude on the energy that the beat gives; this does not mean that he somehow lacks the chops of an elite rapper.  Quite the opposite: he realizes how rap is a medley of sounds and emotion.  A quintessential composer.

    Both E. and K. got chills listening to this one.  Respect goes to KRIT and all the other underground kings set to change the game in 2012.  As Pimp C once sagaciously proclaimed, It’s our time to shine.

    (via sinderhella)

  10. I don’t trust anyone who hasn’t been self-destructive in some way. And who hasn’t gone through some sort of bout of self-loathing? You’ve got to bang yourself around a bit to know yourself.
    Johnny Depp (via ohiowanderer)

    (Source: modernmethadone, via sinderhella)

  11. Be gentle with yourself. You are a child of the universe, no less than the trees and stars. In the noisy confusion of life, keep peace in your soul.
    Max Ehrmann (via awakeningapril)

    (Source: forrestwynter, via abstractmusicians)

  12. Bwahahaha #truth

    Bwahahaha #truth

    (Source: ask4permission1st, via abstractmusicians)

  13. My biggest problem is that there is simply no creativity in movies with black casts at all. White people are 12 year old wizards, teens with crushes on vampires and werewolves, fighting blue people, talking fish and toys, and yet the best we get is a movie about the genteel south? Someone please make a movie about two black folks falling in love at a rock concert or a feature film about Storm from X-Men discovering her power, or something, ANYTHING, that goes beyond Black Pain (TM) / White Saviour (TM) movies. Sheesh.

    A commenter on “Why I’m Just Saying No to ‘The Help’” (via atrapforfools)

    FUCKING THIS. (via so-treu)

    Pretty much.  (via kyssthis16)

    SO. MUCH. THIS. TIMES. INFINITY. (via squeetothegee)

    (via mangotrumpet)

  14. cavetocanvas:

Francesco Clemente, Three Dead Soliders, 1983

    cavetocanvas:

    Francesco Clemente, Three Dead Soliders, 1983

  15. how to excite a crowd of black people:

    queennubian:

    cynique:

    • play “poison” by bell biv devoe 


    THIS!

    Lmao #hbcuconditioning

    (via hiphopcheerleader)



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